She went on to work on such historic films as Toy Story 2, Monsters, Inc., the Academy Award-winning Finding Nemo and The Incredibles. Rising to a top creative role as a Director of Photography for Lighting, she directed the lighting for the Academy Award-winning films Wall•E, Brave, and Coco. Coming to grips with her need for constant mind-melting challenges, she threw her hat in to be the Visual Effects Supervisor for the film Turning Red.. She was the first woman to hold the role at Pixar in 20 years.
Please don’t feel bad for her though, as she joined the group of VFX supes, who were a wildly supportive group of smart and funny guys. Then, much to everyone’s delight, three more women joined their ranks on subsequent films. 
In 2003, Feinberg discovered the true power of Pixar when she spoke for the first time at a girls’ math and science camp, explaining to a room of 13-year-olds the math and science behind how Pixar films are made. When she saw how their eyes lit up, she decided that this was how she could do her small part to get more women and
underrepresented groups to stay in STEM. Her goal? To help in any small way to make her experience as one of the only women in her computer science classes a thing of the past. Feinberg has won numerous awards for her work with girls in STEM, her work in the LGBTQ+ community, as a “Glass Ceiling Breaker,” as a top “Film Techie” from Marie Claire magazine (she is as shocked as you that she made it into a fashion magazine), and lastly, an award for chemistry in high school that really got her nowhere.
Feinberg now travels around the world and down the street to give talks to students, educators, totally famous companies, computer animation folks and lighting groups, as well as her mom. She is currently hard at work as the Visual Effects Supervisor on a future Pixar film, working tirelessly to create more magic with all her talented colleagues at Pixar.